Tag Archives: girl heroes

No Leads to Yes: Examples for Writers

Is the same true for you, dear writer who is reading this blog? Do you come to goals for what you want to accomplish by what you know you don’t want to reinforce? Continue reading

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Rabid Reader Reviews

This is a story that won’t let go once it has you. If you like science fiction and eclectic tales, Seven Beyond is the novel for you. Continue reading

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GoodReads Jessica Nicole

The sci-fi elements, such as the reptilian gualareps are also well planned and executed, and not just inserted to fit the genre. Continue reading

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Praise for Book I of the Dolvia Series

Ms. Atrium wanted to see true science fiction heroines and she has created them here. Rather than a fully kitted outer space opera ablaze with rockets and ray guns, or a fully feminized drama of warrior queens or porcelain physicists, she has blended all the traditional elements into an indigenous culture full of intrigue and compassion… As the best sci-fi does, we are encouraged to think, to consider, to re-evaluate. Continue reading

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Rich Follett for Readers’ Favorite

“Seven Beyond will tolerate any degree of scrutiny, giving back just as much as the reader wishes to put in. Here you will find ample fodder for linguistics study, model building, costume play, gaming (Tsing Tse, the glass bead game) or an annual convention – this work reveals itself in layers and will continue to reveal itself as long as one keeps reading and re-reading.” Continue reading

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Book Viral

Atrium “wields an enviable vocabulary, weaving multiple narratives through an imaginative and richly layered plot that is flawless in its execution, her characters wonderfully nuanced so as to bestow memorable depth to each.” Continue reading

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Author Interview new release SEVEN BEYOND

“I put myself into this effort. Seeing it listed on GoodReads and Amazon and the other distributors gives me a feeling of completion. I can like myself now.” Continue reading

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Didn’t Make It Past Page Four: Writerly Choices

Develop the first scene from a single point of view, with a single emotive response – like fear or jealousy or expectation. The other characters can display emotion in chapter two. Continue reading

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