Women working together is a novel idea in some writing genres.  Mostly we see a few forced together like in refugee camps, or the wives of men in leadership like in the church. 

I started with the writing principle that the female characters drive the plots of my stories. Nothing happened except by their pushing. That’s in all my stories, but not so much LGBTQ+. I looked at women in combat zones and saw that they had no protection, no cover, no rights even to clean water. How did they manage to feed the children and stay clean?

Women were corralled together and could not resist abuse or separation.  My idea was that women talked among themselves and found strategies for how to respond to abuse and support each other, except some were ostracized. 

In a free emerging democracy, women must secure the right to vote, the right to open a business, to own property, to choose when to have kids. Access to capital is critical for women to have a voice in business and in politics. Not a token woman on the board of a corporation, but a self-made woman who succeeds by the work of her own hands. 

So I developed several of these types in a fantasy story set on another planet to see what obstacles they addressed, what bad behavior they indulged, and how much social power they could accrue. The fantasy series starts with THE BUSH CLINIC, and several novels follow our connected tribal women and intruders from Earth.

The male characters were not neglected. In fact, some get hero roles as militia leaders of generals in the peace-keeping corp. A woman is more interesting when an interesting man pursues her.

The solutions I found for women in a combat zone were partly about how to handle the children for education and guiding them into different expectations.  The tension between Dr. Greensboro, an offworld doctor with the bush clinic, and her growing native assistant Brianna Miller rang true, I believe, for the limitations of how women help women.

In THE BODY POLITIC Brianna Miller returns to Dolvia as a grown woman with experience and the access to capital to make a difference among the savannah tribes. Her voice in the militia is strong because she contributes connections with offworlders and ideas for managing the kids at risk. 

The tribal women who the reader has gotten to know in the first novel each come to the public square in Cylay and partake in self-torching, a protest act against the oppression of Rabbenu Ely. We feel the lost because we know each of the women as individuals.

Brianna Miller takes on an assistant named Kelly Osborn who is my heart’s favorite in the series.  Kelly is a poet and trying to find her place, betrothed to a warrior who she fears, but still relating her love of the savannah and the people in her published poems. The differences between cynical Brianna Miller and emotional Kelly Osborn are stark and tell us more about women working together.